Upholstery is the most hard working furniture in the home, providing enduring comfort and establishing the personality of the room through its stylings and fabric. No one wants to regret this choice either on delivery day because the fabric doesn't compliment the room or a couple of years down the line because the sofa hasn't held up to wear and tear.Read More
This blog is not about what kinds of rooms or how many should be included in a large house blueprint. The one piece of advice I always pass along to my clients is to build their home not for future owners or by any standard but their own. Choose your spaces because you think they will enrich your home life, not because other houses in your neighborhood have them.
This blog post is for people who want a large luxury home where every space is useful and all of the details and proportions make the right statement.Read More
As a seasoned designer with diverse clients, I am often either helping a family decide how much to add to a home they are outgrowing or I am figuring out how to put unused rooms to work in a house that is a little too big for its owner.
Generally my opinion is that less house is better than too much house, but my skills and vision afford me the opportunity to create impactful designs no matter the scale of the project. For the homeowner who is trying to decide the size of their next home investment, there are a number of ways to evaluate what will be the perfect fit.Read More
We believe our patrons deserve furniture built to last, with style that always looks unique and fresh. Every piece in our collection is selected by our designer, Paul Miller, twice recognized by Washington-area Home and Design magazine for superior design vision. Beautiful, functional, and sustainable upholstery should compliment your home for years.
We know that Nestology upholstery makes any room better.Read More
Cradled in the rugged, wind-swept mountains of Boone, North Carolina, the facility provides jobs that have not been available in many American towns for decades. We took some time to watch and learn from the master craftspeople.Read More
From the start, it was my goal to buck the trend of less choices by providing more. Rather than offer greige groupings that one sees everywhere, I want my upholstery to allow patrons to get creative as they select the perfect details for their space.Read More
Visit our studio to have a conversation with our sales experts, choose from our fabric and wood samples, and feel the superior construction of pieces made by artisans across the United States. Find your heirloom here - buy local, support artisans, go green.
Our passion for quality and sustainable living really comes to life in our studio as we listen to the wants and needs of our patrons and guide them to the products that best suit them. We take a hands on and empathetic approach to sales - something that can't be executed online.
While competitors both online and regionally want to sell you something right now, here we want to help you select the right thing for a life time. That means we do the research and legwork to present only the best. Direct relationships with makers ensure quality. American artisans guarantee a small carbon footprint and sustainable resourcing. MakeNest staff promises an exceptional fit for the functionality and aesthetic of your home.
What is gained in this model is an element of longevity for the consumer that is more valuable than the 'fast fashion' options available en masse through cold online retailers. Here in the sanctuary behind the bricks, construction and style are upheld in products that last a lifetime.
There has been a lot to inspire me this year - from finding new innovative makers to rediscovering classics that had fallen off my radar. Not too long ago I would have been steeped in roughened woods with a grayish wash. Today we have rediscovered the quiet elegance of walnut and cherry woods. After many long seasons of linens that pretended to be burlap, we see the uprising of lux velvets and graphic prints. Even rusty finishes are ceding the way for a tsunami of molten gold faucets and fixtures. Design is always changing, always expressive of something about the moment. Perhaps our economy picking up has whetted appetites for things that lean toward the refined. Here are just a few of my current delights.
Sap Cherry Wood
I find the lighter sapwood from the outer portions of the cherry tree so engaging. When selected artfully, the result is a striking hi-low pattern that adds immeasurably to the impact of understated furniture like our Heartland Table. For many years Queen Anne-inspired furniture cloaked the warm and deep grain of cherry in dark stains that essentially masked the wood's characteristic cathedrals. Makers now are drawing influences from Arts and Crafts and especially from Mid-Century design, so the grain is left visible by the use of light clear finishes. This is the way sap cherry is meant to be dressed.
Our collection of pillows from Arnge embody everything there is to love about mid-century design. The bold retro graphics make me want to binge watch The Dick Van Dyke Show for hours, while the kaleidoscope of colors are a study in harmony with just a skosh of friction. Having been schooled in the finer points of sewing, I was pleased to see that the patterns match from front to back so that the design moves fluidly around the pillow. Each one is made to order in the USA without the use of sweatshop labor, which is another reason to tip our hats to this maker.
Wool & Silk Carpets
When I was apprenticing in design back at the turn of the last century, my mentor was a dealer in fine hand-made carpets. Helping to show her selections to her clients was an education. Peeling back dozens of beautiful carpets was good exercise, but it was also like peering into the pages of a journal from an ancient people. Combining forms from nature and architecture, the patterns and colors - as well as the art of weaving itself - are part of a cherished tradition. While wool is still the most common material in a hand-knotted carpets, the addition of silk adds highlights that outline the design and glimmer magically.
I discovered the designs of Spicher & Co. a couple of years ago and am still finding new uses for these fabulous designs. Not surprisingly, these graphics are created by artist designers and not fabricated from a short list of popular motifs. Drawing inspiration from vintage linoleum rugs that were popular well into the first half of the 20th century, there is something about these rugs that feels simultaneously fresh and nostalgic. I like using them because they add a strong graphic to a room and because they can exist in spaces where sometimes other rugs aren't ideal. And these are printed in house in Pennsylvania, so we feel like they come to us from just over the mountain, as they say.
When I first spotted this chair at market, I knew I wanted to put a whimsical and magical fabric on the frame. With its graceful arms and deeply scooped back profile, I was reminded of chairs from my favorite 1930s black and white films. This piece would have existed in a screwball comedy - in the country house of the haughty old aunt who wears a lorgnette, winds up getting a little tipsy on dandelion wine, and eventually comes around to like the mustachioed anti-hero her wide-eyed niece wants to marry. Her house would have gilded things but also ruffles. For me those Hollywood sets are an escape into unabashed style. So we outfitted this chair in a colorful Asian toile, trimmed her skirt in velvet, and the rest is history.
Thanks for indulging me on a journey through some of the things that have been in my look book and on my mind this season.
For our autumn home furnishings collection we drew inspiration from some of our favorite design projects. The coastal oases of Martha's Vineyard and Rehoboth Beach offered us soft colors and buoyant graphics. The smart simplicity of our urban homes guided us toward mid-century modern forms and artisan details. And the elegance of the old homes we've designed in our native Virginia reminded us that antique wood and romantic silhouettes never lose their allure. Creating a collection of American-made and sustainable furnishings was an ambitious undertaking; here are the mood boards we used to define our vision.
The Oasis. Here not everything has to be 'just so' - this is a home that makes the hours after work and school feel like vacation. Sturdy iron tables plant themselves where they're needed and the soft linen slipcover on the sofa looks its best when a little rumpled. Shoes come off the moment you walk through the door and the piece of modern art everyone compliments is the doodle your daughter brought home in third grade. Here you don't cry over spilled milk; you wanted a cocktail anyway.
The Modern. This house isn't frilly or lacy or precious. It is a thoughtfully composed design that favors simplicity. The chill of minimalism is chased off by rugged textures and natural elements. Each piece of furniture serves a purpose and everywhere you look there are testaments to artisan craft. The sap cherry dining table is as smart as a suspension bridge and the custom sofa as handsome as it is comfortable. This is the home of someone who doesn't believe in filler. Here thoughtful intention reigns.
The Estate. You may or may not have grown up in this house, but you love that guests feel transported to an earlier era the moment they broach the porch steps. This home isn't shy about embellishments; the moldings are elaborate and the walls are papered in garden scenes. This is where emerald velvet doesn't feel too fancy and brass never went out of style because this is the good stuff. And while there may be the occasional new acquisition to add a spark of funk, the table at Thanksgiving is always set with antique china and Irish crystal.
Our design style is to mix more than match. We use color, texture, and scale to make spaces pleasing, but a close inspection reveals that we don't play by the book when we're pairing objects. When it comes to composing stylish design, we've thrown most of the rules to the wayside. While we crafted our collection of American-made and sustainable furnishings with some specific inspirations in mind, we're sure each piece will shine when it finds new interpretations in rooms waiting to unfold. Visit our boutique to explore the collection.
Of all the words to paint the picture of the inspiration behind our fall launch, one word is at the forefront of our efforts. Sustainability steers us towards not only responsibly sourced materials, but to artisans who have fostered their craft here in America.
We've turned to our neighbors, makers of fine case goods, traditionally crafted upholstery, and artisan accessories; from their honest wares we've been inspired to create our autumn line. Our makers hail from all over the country but most are based on the east coast, where we have set the story of our collection.
Experience our launch of sustainably sourced and made in America products this fall.
By the time we left Market Square, we had not only found an exciting new furniture source, we had sat in on an impromptu lesson on craft and passion. The maker is John Strauss, who we had researched before coming to High Point for the spring market. We spent over an hour learning about the collections. John showed us a curious little doodle the French use to line up wood cuts for drawer fronts. It was no accident that we were spending this much quality time with one furniture maker.
Our goal is to kickstart an initiative to make our entire furniture offering both sustainable and American made. We found out about John's company while doing our research. Going into market with these standards in place was transformative. While we spent time with new resources - most of them artisans who chose to come to market in person to represent their lines - the rest of the attendees buzzed past with an air of confusion and agitation. They seemed shell-shocked by the vast quantities of vendors and they reminded me of myself in past years: hit with a sugar rush of goods rather than nourished by a quality experience.
We discovered so much of value in our research this market, as well as forging relationships with passionate craftspeople. The American furniture makers of today are maintaining our treasury of hardwoods through responsible harvesting. And our small-batch makers comply with the kind of workplace safety guidelines that are simply not present in most overseas markets. Most seductive to a designer's mind is the fact that our artisan resources thrive on customization, which allows us to offer more design options to our clients.
In recent decades there has been much talk about globalization. In the sense that we knit nations together through robust trade and that we find common humanity through shared resources and knowledge, the concept of globalization is very attractive. Yet we are deeply satisfied to opt out of doing trade with makers who are not sensitive to the needs of workers and the environment.
When I was younger, I was a fierce environmentalist. Then I drifted, seduced by an industry that seemed careless to the matter. When the determination to make changes in my company asserted itself, I knew the time had come to commit to the progressive values in business that I cherish personally. Looking inward has helped me to discover seeds waiting to sprout and so the next chapter is green.
Some companies have practiced responsible forestry for years, harvesting and replanting in turn to provide resources for future production, but now there are more offerings made of salvaged wood. This practice not only cuts down on waste that burdens landfills but it also lessens deforestation. Old wood has characteristics difficult to reproduce in virgin wood, such as raised grain and general weathering, so for those who love a lot of texture and a sense of age in their pieces, the benefits are obvious. Knowing you tread a little lighter on the planet feels nice, too.
One furniture designer I met with at market some years past opts to produce her line of rubberwood, a trend out of Asia. Rubber trees too mature for latex production used to be thrown on burn piles. To my understanding, an English furniture manufacturer a few decades ago began to experiment with this 'waste wood' and discovered that it was not only useful in furniture making, but took both painted and stained finishes beautifully. This extremely heavy species has a dense, attractive grain, and, once properly kiln-dried, is very consistent, meaning that splitting and warping are not an issue. The furnishings my new acquaintance designs and manufactures are not only stylish and durable, they follow this direction of taking some responsibility for our planetary health by reducing the rate of deforestation.